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We see what those are in the past, as well as the present day to see what caused the family to flee and leave their mansion behind. It ran for one season and is part of The Haunting anthology series. Just like Poe’s narrator, Detective Dupin manages to escape the house in the series and both characters watch as the House of Usher cracks and collapses to the ground, realizing that the Usher family was nevermore. Poe’s story doesn’t mention what the Ushers do for a living, though they do come from money that afforded them a family mansion.
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I trust you see what Flanagan, who wrote or co-wrote nearly every episode and directed much of the series, is doing there? If you don’t, key details get repeated multiple times, especially in the first couple of episodes. Half creative writing project tied to a freshman seminar on Edgar Allan Poe, half horror-filled karmic catharsis, Flanagan’s The Fall of the House of Usher is a bluntly entertaining exercise. It’s easily the most specifically topical of Flanagan’s Netflix minis, fueled by an often palpable anger. But that anger frequently gets in the way of the thematic richness that gave The Haunting of Hill House, The Haunting of Bly Manor and Midnight Mass their mournful charge.
Storyline
All advice, including picks and predictions, is based on individual commentators’ opinions and not that of Minute Media or its related brands. No one should expect to make money from the picks and predictions discussed on this website. In the original Poe story, an unnamed narrator arrives at the Usher home and the only detail we know about him is that he is Roderick’s “best and only friend” who has traveled across the country after receiving a letter complaining of an illness. The narrator observes Roderick’s peculiar behavior and even takes part in some of his harebrained ideas, including entombing his sister Madeline for two weeks before burying her. Flanagan finishes his Netflix contract on a high, gleefully capturing Poe’s magic, eerie romance and sense of dread.
A Midnight Dreary
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Throwing a bookend at Alessandra’s head “was not out of spite or cruelty,” said Miller. Unlike other people in this episode, her death wasn’t about that. She truly wanted to save everyone.” Yeah, well, so much for that. They’ll get the whole world — running Fortunato Pharmaceuticals, making more money than they could ever imagine, literally getting away with murder — all sans consequences. “When you’re done, at the end of it all… just before you would have died anyway, your bloodline dies with you,” Verna offers them.
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“There is a fantastical supernatural element to the story, and she is the manifestation of that,” she added. As these first look photos and posters reveal, Verna isn’t one to be played with. “You could say she’s the executor of fate or the executor of karma,” said Gugino. She possessed the warmth and moral compass of Annabel Lee, he thought, the “best of her without a broken heart.” She’s the one who called 911 and saved her mom from her father’s brutality.
The character never evinces the necessary internal conflict of a man who yearned for legal recourse against the Ushers — not the Rube Goldberg meat-grinding machine version of justice being meted out in a fashion closer to the Final Destination movies than Poe’s more elegant prose. “It’s batshit crazy in the best possible way,” Carla Gugino told Netflix during production. “It has quite a lot of very dark humor, but also really touches the soul.” In the series, Gugino portrays a shape-shifter named Verna, whose origins can be traced back to a — let’s just say — very famous Poe character.
The Black Cat
She appears near the narrator, but never acknowledges his presence. The narrator and Roderick place her in a tomb despite her flushed, lively appearance. In the tale's conclusion, Madeline escapes from the tomb and returns to Roderick, scaring him to death.
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The narrator also notes that Madeline's body has rosy cheeks, which sometimes happens after death. Over the next week, both Roderick and the narrator find themselves increasingly agitated. When the narrator arrives at the house of Usher in Poe’s story, Roderick and his sister Madeline are the only surviving members of the family, similar to how Flanagan sets up his adaptation. But Poe’s story doesn’t explicitly mention the other members of the Usher family, including children, or the manner in which the other members of the family perished—something that Flanagan’s series focuses its entire run explaining. English majors will likely know where some of the stories are going just by seeing the episode names. When the young and trendy Prospero Usher (Sauriyan Sapkota) decides to host an exclusive sex-and-drugs party at one of dad’s old factories in an abbey, readers of The Masque of the Red Death will know it’s going to be a gruesome scene.
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For eight hours, instead of rooting for people, you’re rooting for payback, leading to a satisfying, but surface-level experience. The horror auteur uses his familiar acting troupe and the works of Edgar Allan Poe as the backdrop for an eight-episode takedown of an opioid-pushing family that somewhat resembles the Sacklers. Feast your eyes on a new clip above and learn more about the limited series below.
He turns back in time to see the Moon shining through the suddenly widened crack in the house. As he watches, the House of Usher splits in two and the fragments sink away into the lake. Flanagan’s version of Roderick Usher is a power-hungry and money-hungry CEO of Fortunato Pharmaceuticals, a company that can be compared to Purdue Pharma in both its wealth and its development of destructive, addictive drugs.
The Martian Chronicles, a 1950 collection of stories by Ray Bradbury, contains a novella called "Usher II," a homage to Poe. Its main character, William Stendahl, builds a house based on the specifications from Poe's story to murder his enemies. In 1979, Italian state channel RAI loosely adapted the short story, together with other Poe's works, in the series I racconti fantastici di Edgar Allan Poe.[33] It was directed by Daniele D'Anza, with Roderick Usher played by Philippe Leroy; music was composed by pop band Pooh. During one sleepless night, the narrator reads aloud to Usher as eerie sounds are heard throughout the mansion. He witnesses Madeline's reemergence and the subsequent, simultaneous death of the twins. The narrator is the only character to escape the House of Usher, which he views as it cracks and sinks into the mountain lake.
She chases after Verna with a fire poker and smashes nearly all of the mirrors, ultimately hitting the mirrored ceiling above her bed as she cries about messing everything up. Shards fall down and stab her to the eternal sleep that Verna knows she desperately needs. Camille (Kate Siegel) couldn’t let her animosity toward her half-sister, Victorine LaFourcade (T’Nia Miller), rest, so she goes to Vic’s research facility to dig up more dirt on her unethical experiments. One selfish choice seals the Usher family’s fates forever when twins Roderick (Zach Gilford) and Madeline Usher (Willa Fitzgerald) meet an omnipotent harbinger of fate, Verna (Carla Gugino), at a bar on New Year’s Eve 1979 in Mike Flanagan’s The Fall of the House of Usher.
However, Flanagan is smart enough to shift the Poe narratives ever so slightly for a modern audience. His version of The Tell-Tale Heart is a modern gem, and “The Gold-Bug” is reimagined as a new brand for the Usher company. But the themes remain the same—guilt, obsession, vengeance, and a supernatural sense of justice. Roderick Usher’s children are getting what they deserve, not merely because they are the fruit of a very poisoned tree but because they have made horrific decisions to stay in the shelter of wealth and privilege. Late one stormy night, Roderick Usher (Bruce Greenwood) invites an investigator named C.
But he wouldn’t last the night anyway — Madeline poisoned him with cyanide. After Leo (Rahul Kohli) wakes up from a bender with bloodstained hands to find his boyfriend Julius’ (Daniel Jun) cat stabbed to death in their living room, he knows he’s in trouble. But then he starts experiencing disturbing and violent visions — attacks from the cat, dead animals — to the point where he uses Thor’s hammer (a gift from Chris Hemsworth, naturally) to tear his apartment apart looking for the cat. Thinking he sees the feline out on his balcony, he chases after it in a rage… and falls off the ledge to his death on the street below. The first two episodes of The Fall of the House of Usher premiered at Fantastic Fest in September 2023 before the Netflix release the following month, being viewed more than 13 million times in its first two weeks. It was met with positive reviews, with critics praising its production values, directing, and performances (in particular from Gugino, Greenwood and Mark Hamill), although they were divided on its narrative, notably in relation to the source materials.
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